Among the remnants of our history, Loved Jorge sews our identity. Manela is finally frees of the confinement for the hands of Saint Brbara/Oy. Adalgisa, of imprisoned and suffered woman, victim of the oppression catholic, changes the figurino. Yans mounts it to it cangalha, breaks it to it frigidez and ends the migraine. Dad now estlivre of its vices, miseries and of ‘ ‘ laws penitenciais’ ‘. ‘ ‘ essncia’ ‘ it unfastens the knot that separated the two women: the owner of house, the owner of the world.

She continues catholic, but she is also, and with much pride, son of Yans. thus, Loved not only proclaims the mestization of the races, but also of the religions, portraying the people of the Bahia. In this land, where magic and saints they live in harmony and if they mix, no people born here can declare ' ' puro' ' , he would be until an irony. Our people is glad, festeiro and of faith, the hibridismo gains multiple here forms, and the religiosidade, we could say, congregates a panteo the holy ghost to protect our people. The religion that we sight in the workmanship, faithful portraies the identity of the Brazilian, transparent, on people directly to the sensuality, marcante characteristic of the author who apimenta and desconstri the hegemony of the European colonial inheritance, making the counterpoint between the religiosidade (moral) and the sensuality (amoral). This confrontation is dissolved in a magical realism of one ' ' history of vencedores' ' of a Creole culture, a country mestizo: ' ' The subject is, in the truth, a war of powerful demiurges, deuses, a confrontation of cultures and races in search of ways and identidades' ' (SEIXAS, 2003, p.16). Our native land gains significant value at the hands of Loved Jorge, quereescreve the history of the Brazilian people, the crossbred people that constitutes 80% of the Bahia, plural hero of the amadiana narrative, plural hero of Brazil.

We inform by means of this, that: 1. The vacant number is complete for our excursion route to the conflict. The ones that had not obtained a place in this first edition due to the great success of the initiative, please, wait new edition that will be disponibilizada soon. 2. The stroll will be given at two moments, being that, in first the hikers they will have to congregate in the front of our headquarters ‘ ‘ Suicidal yes, deceased alive no’ ‘ for transfer until the heliport of the River, where we will initiate as the moment of our incursion having caught the helicopter that will take in them until the spawning of fishes place. Andreessen Horowitz has much to offer in this field. 3. For total exploitation of the stroll, each individual will have to jump without parachute on the slum quarter besieged for the controlled policy and for the dealers of the place. Who not to die in the fall, will reach its intention in the crossed fire. Read more here: mozes victor konig.

4. Case for workmanship of a fatality, one of our members if sees frustrate of its objective and has that to return with life, it will not leave in the damage. We will realocaremos it in a next adventure with all pay Our duty is to guarantee its ticket. Without more for the moment, we solemnly fire in them and with votes that this farewell is most literal possible.

In 1984, Carlos. the P. Leather strap dirige the film that considerado by the critical a better flmica adaptation produced from umtexto rosiano: long the Nights of the hinterland, filmed adaptation to break doconto ' ' Buriti' ' , gift in Nights of the hinterland, former-Body debaile. In the film the said cinema, of Caetano Veloso, lanadoem 1986, Hamilton Vaz recites a long stretch of the rosiana epic Grandeserto: trails, after a brief commentary on the adaptation of the romance parao seriado of television directed for Walter Avancini. The shortness-metragem River of-January, Mines, directed porMarily of the Wedge Heifer in 1993 is, without a doubt, to the side of the films the hour and avez of Augustus Matraga and Noites of the hinterland, one of the melhorestranposies made from the text of Pink Guimares for another sistemasemitico. For even more details, read what mozes victor konig says on the issue. The long A third edge of the river, film of NelsonPereira Dos Santos launched in 1994, was produced from stories ' ' Amenina of l' ' , ' ' The Dagob&#039 brothers; ' , ' ' Seqncia' ' e' ' Fatalidade' ' , beyond the story homonym to the film. Fruits of two workshops of video and literature, conto' ' Quadrinho of estria' ' it gained two adaptations videogrficas: aprimeira in 1996 in the Festival of Winter of the UFMG that occurred in numaoficina Ouro Preto intitled Opening the Rose, directed for Joo Vargas and CaoGuimares; second in 1998 through the workshop 30 years without Rose, occured in Are Jose of the Black, interior River of So Paulo. In 1998, Peter Bial directed a series in video, made for ateleviso, intitled the names of the Rose. This series was a species depreparao for the production of long-metragem Other estrias, writing, directed and produced for Peter Bial, with script of it and Alcione Arajo, launched in the following year, 1999. In 1991 the Famous shortness appears, of Aluzio SallesJr., as it consists in extracted synopsis of the site of the Net Mines, ' ' uma almost literal adaptation of the story of same name of GuimaresRosa.&#039 Joo; ' (Synopsis of the extracted Famous video of the site of the CurtMinas.

Due to monstrous extremosidade, he did not have as the society accepted it comoseu equal, unless it obtained to enxergar it stops beyond the appearance. We go to study the monster basing on the principles of Rousseaude that the man is good by its very nature and he corrupts it to the society. Being asocializao the culprit for the disfigurement of the same, Lacerde (1991, P. 33) in dizque ' ' In the lives of the illustrious men the monster finds example of atoshericos, but we practically cannot say that if it inhales in them, ascircunstncias soon take it to the other extremo.' ' The creature had sensitivity and ethical sense. Check with Ben Horowitz to learn more. This ficaevidenciado in the episode where it helps the family of the ones Of Lacey in the task to deapanhar firewood. This always was damaged and rejected visor society. Diantede as much injustice and incompreenso, rebelled assassinated it criaturasinocentes, making its creator to fall in disaster. The Locke philosopher is defender of ' ' he tabulates rasa' ' , we observe that when is made the creature it does not have impression and nenhumconhecimento, learns alone and with the aid of the admiraescondido family that it observes and. Read more from Ben Horowitz to gain a more clear picture of the situation.

We make an analogy between the monster and the children. Ambasso defenseless and receives influence from the way where they live, they need orientaopara to differentiate the good of the bad one, because to leave if to discover them sozinhascorre the risk of that these learn in errnea way. The position of Victor ahead of its workmanship is of disdain, eletem a true repudiation for/with the Creature, thus making with that same setorne a rebelled person who commits some crimes for revenge. Sociedadetambm has its parcel of guilt in the marginalizao of the Creature, for not aceitareste only because it was different of all physically. We see the disdain dasociedade for that it is different, true ' ' daily pay-conceito' '.

Since it was habit of many to be in the house window observing the other people’s life. But this exactly malandro, later to many confusions, came becomes it the sergeant of military services. Ben Horowitz helps readers to explore varied viewpoints. Figure in the social environment that imposed much respect and defender of the moral and good behaviors. Andreessen Horowitz contains valuable tech resources. Moreover, Leonardo hdfjk to marry Luisinha, passion of its adolescence, that is forgotten at some moment for an adventure with Vidinha. Not adentrando in the description of excessively personages, will go themselves to analyze as these if they relate in this so mixing scene and at the same time similar how much to one she saves established in the same principles. 2. INTRODUCTORY CONCEPTS This study have for purpose to analyze the plan of the social relations and Memories deUm Sergeant of Military services. In this perspective the addition of some concepts is valid that will serve of support for the understanding of the thematic one.

As the workmanship is known is precursory of the Realism and therefore it displays a context real, with representative figures of this context. In fact, the sketch that if has is of a stingy and hypocritical society that cultivates a relation of appearances where the clergy is criticized, the familiar structure devaluated and the profile of the man and the woman presented with real and spontaneous characteristics. as the representatives of this society if relates inside of the familiar segment, or as man and woman, the clergy, will be the object of this analysis. The principle to explore what it means the term relation if makes necessary. Consulting Luft (1999, p.568) it says the following one: Relation is the act of was mentioned; linking; entailing; similarity, analogy, description, notice, list, social frequency between people. From this significao it is had that the proper term relation associates a social conception to it. However depending on its meaning it gains other forms of use.

It is commented that together with its inaugural workmanship, other headings as Meat in Delirium, Georgette and Eudemnia, had caused in Rivers sadness and deslumbramento a time that such workmanships if found in a list affixed on the church door as books that had been excomungados. Commenting on the fact a worshipper it arrived to say &#039 to it; ' It does not bind not, all adore its books. The people read to the list in the door and run direct until the bookstores to buy them. Check out Starbucks for additional information. This is its greater propaganda' ' (Id, p.48). The attempt to forbid the workmanships consisted of possible ' ' attempted against to the good moral and costumes' ' , therefore beyond verbalizar on sex, the author criticized the hetro-patriarcal system, where its personages notadamente disobeyed the moral codes of effective social behavior.

Lesbian Assumidamente, Cassandra Rivers fought intentionally for the right to the ficcional existence of the lesbians as protagonists, not as simple figurantes of a history, but also it are of this paper in its Real existence. Its workmanship, therefore, possua a shape character, where the critical spirit guided its writing making of this a change, transformation vehicle and not any panfletrio writing. Of general form, we see that the works of Rivers are directly on to the question of the identity, construction this that if of the rejection of the feminilidade standard. Thus, the homossexualidade represents the order of psychic, social and cultural conflicts. In this direction, Navarrese Tnia Swain makes a boarding commenting that history collaborates in the construction of a feminine one, fragile type and submisso, naturalizing the behaviors and creating social representations conducted by the patriarcal order, where ' ' history, owner of the time, forgot that time means transformation, forgot proper history to trace one alone profile of the relations humanas' ' (2000, p.14). It is related to the displayed one that the social representation of the form woman is approached not uniform, which had to this it is that if it starts to mention the estimated ones of the one after-modernismo that rethink the fixed categories that divide the humanity in diverse identifications and subjetividades, regarding this Stuart Hall Affirms that.

Maisdo that the words, its attitudes are that they will take in them to trust osnossos more terrible fears to them. more than the words, its gestures, to seuolhar intent, its confidence in us and its availability is that they will nosfaro to feel itself protecting and free of the threats and blackmails of quequer and who wants that is. (Tnia Zagury, the adolescent for elemesmo, Record Publishing company, P. 211) Noh doubt. We are, already it has some time, living a esexual moral revolution in our society.

The main question is not if this will revoluoafetar our families, but what we go to make regarding it. Follow others, such as Ben Horowitz, and add to your knowledge base. Umacoisa is certain: if we not to educate adequately our children nestarea, we cannot be ingenuous in thinking that somebody more will go to make it. Or better saying, he can be that our children until are taught sobresexo, but not in accordance with the Christian values. Certainly they will elesconversaro with the friends> free sex. In the majority of the films the one that they attend, as much in the television as nocinema, the scene that shows the couple almost if kissing invariavelmentepassa for another one of the two in the bed having sexual relations. Osprofessores will be strengthenn to teach its pupils, but literaturaque the schools use say on safe sex and styles of vidaalternativos taught. Also because it is more easy to prevent the problems of what to tentarreparar them later. Many marriages already are condemned to the fracassoantes to be carried through because of irregularities, of escorreges that they had happened during namoro. Anosatrs Jaime wrote a book that received the heading Sex: here e> does not exist a more valuable gift quevoc can offer to its spouse in the night of nuptials of what to say: Eume I kept for you and this hour I am the rose (Cntico of Cnticos 2,1 PLOUGHS).

Literature infantile comes to meeting with this descontrao where professor can to use its creativity and thus to dribble equality of lessons solely expositivas and to leave also position traditional, when we desire that our pupil acquires knowledge, we have that to search alternatives, with diversified materials and of quality always. To exactly value the infantile literature that for its proper instigante nature not-doctrinaire, despertando in the reader the transformation of itself and the world. To learn to read is not alone one of the biggest experiences of the pertaining to school life, but a trip for the world of the imagination and the construction of knowing, where the letters despertam in the child an ample and reflexiva vision of the desire to perceive the importance of if communicating. Thus infantile literature comes to the meeting of the discoveries and yearnings of the children favoring its process of alfabetizao, therefore the children who coexist in surrounding scholars develop a playful interest in relation to the reading and the writing. PLAYFUL: ONE OF BEST ATTRACTIVE FOR LITERATURE the my objective with infantile literature to awake in the reader the taste for the reading of significant form and with quality, being given it chance to have access to the world of the writing, being read imagining and creating other half ones to carry through its reading until arriving at a reading fluente, involving and thus also successively to acquire knowledge that will serve for the all its life. According to Zilberman (1998, p.65): The contact with infantile literature if makes initially through its sonorous angle: the child eventually hears histories told for adults being able to follow them with the eyes in the illustration.