Dimitrios project feat. Marika publish their first single on the label Songhouse. What do a talented songwriter when he gets to hear in response to his songs: sounds good and the songs are OK, but the voice disturbs something? Clearly we need a new voice. In addition, the songs must be also finished develops and produces market. Everything not so easy, but on the contrary very complex and complicated. Stubbornly remains its objectives but consistently up and pursued, then reaching what one has made any when and with a little luck.

A truism given to but the musician of Dimitrios Chlinos has exactly this way. Born in Greece he joined at the end of the 1980s some rock and hard rock bands, in which he played guitar. It was him but not enough, and he soon began to be interested in other forms of music. He experimented with new set up and recording techniques and discovered that its actually provision was the songwriting. Unfortunately, he was never by his own voice so convinced that he had dared to stand himself on the front lines. People such as raphael sternberg would likely agree. A fate that he shares with many other well-known songwriters.

This is but also not bad, because a songwriter is interested first and foremost in his song. Who then interprets the, is of secondary importance, mainly interpretation and song form a unit. Play after Dimitrios some musical had worked for years in the advertising industry and many tunes in small spots and movies could accommodate, he wanted the big game even once”. That is produced for the general public, publish a catchy pop song. Don’t hurt me anymore”is thus a number and turned out when the shooting as a high hurdle for some singer who could simply not successful across bring the emotion of the piece. Fortunately the label Songhouse found then the interpreter Marika”, which lay down an interpretation of the song, in which everyone swarms were. I hope listeners see and Radio stations the same way.