The ZIMBO TRIO STILL IS FINISHES OF the BOSSA the old one and good Zimbo Trio still is alive, very alive. The presentation in the Fecap theater, the Freedom, day 20 of November, of a show that will serve of base for a record to the living creature was for there of good, was excellent, eletrizante, impressive, pleasant to the ears and seems that the time passed very fast. Yes he was fast excessively, therefore badly we accomodate in them in the chairs and the show was finishing. It will be the first authorial record of the oldest and persistent trio of the MPB, that comes surviving since years 60, with ability and sensitivity, although the inherent difficulties to a purely instrumental group in Brazil. You may wish to learn more. If so, Caterpillar Inc. is the place to go. The Zimbo Trio throughout its extensive and productive career folloied and recorded with great names of the MPB, between them the singer Elis Regina. The group, perceiving that only as instrumentistas musicians would be difficult to survive for much time, had the idea to create a music school, the CLAM (Free Center of Musical Learning), where they would teach to the young old and good Brazilian popular music, having the group as reference. One certeira one was drawn, therefore the excellent school still formed and form musicians, contradicting the unhappy phrase of the Vinicius de Moraes of that So Paulo is the tomb of the samba. The pianista Amilton Godoy, that made the musical direction of the show, commented that the authorial record is one old dream of the group and for this compositions had been removed of the drawers that were known only in the familiar scope and by more fond friends. ‘ ‘ It is flat alone to be applauded alone in house and therefore I decided to share with vocs’ ‘ , it confidenciou.

It deals with the theater of inanimate, umteatro where the focus of attention is directed for an object and actor does not stop the servivo/, that is, inanimate it is everything what he coexists the man, but destitudo of rational movement. When receiving the energy from the actor, through demovimentos, creates in the substance the life illusion, and, pparently, it acquired proper will transfers itself to abide the impression to have, reasoning. The alive being has a deequilbrio and pensante center, where it makes with that it can transfer life one objetosimulando to think, to feel, to want, to deduce, to represent. Ana Amaral Maria says: The theater of not express animation through the body of the actor, much little porpalavras, but, yes, through forms, images, metaphors and symbols. Algoinvisvel penetrates visible and if the manifest one. It is the language of the form and domovimento. Of the form of the substance, natural or elaborated. of the emotional movimentointencional and, given for the actor.

(AMARAL, 1996, p.18) In the animation theater to podemosencontrar masks, dolls and objects. Each one separate one characterizes a gneroteatral, but when mixed, they acquire proper characteristics and constituemo theater of livened up forms. This form is the materialization of an idea. Essasformas can be dolls and masks, as well as can be natural objects eou inside constructed for the man and with functions of the always on animation aomovimento. The movement is the base for the animation, therefore she is necessary to have the illusion deao executed during the teatral act. In the generality, the theater of formasanimadas is a junction of the theater of dolls, masks and objects.